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20 Monitor Headphones for Home Recording: Compared by Official Specs (2026)

Monitor headphones are headphones for hearing sound accurately when you record or mix. This page compares monitor headphones using manufacturer-published specifications and gives each a rank.

The scores are five criteria: ease of driving (impedance), the reproduction range of lows and highs, lightness and suitability for recording (whether they are closed-back). Price is not part of the score.

This list compares 20 monitor headphones on 5 criteria: ease of driving, low-frequency range, high-frequency range, lightness, suitability for recording (sound leakage). Scores are decided by how well each product serves its purpose, using the conditions for each criterion, and the basis is official manufacturer information. Price is not part of the score.

Disclosure: This page contains affiliate links. If you buy through them, SoundBounty may earn a commission at no extra cost to you. Prices are as of the date checked and can change.

Picks by purpose

For each criterion, we list the models with the highest score in this comparison (up to three, in order of overall score when several tie).

  • For people who want enough volume from an audio interface or smartphone without a headphone amplifier: MDR-M1ST (rank S), K371 (rank S). Top score (5 points) for “ease of driving”.
  • For people who want to check the low end solidly: MDR-M1ST (rank S), MDR-M1 (rank S), K371 (rank S). Top score (5 points) for “low-frequency range”.
  • For people who want to check the fine details of the highs: MDR-M1ST (rank S), MDR-M1 (rank S), K371 (rank S). Top score (5 points) for “high-frequency range”.
  • For people who want headphones that do not tire them over long periods: MDR-CD900ST (rank S), ATH-M20x (rank A), HD 25 (rank B). Top score (5 points) for “lightness”.
  • For people who want less sound leakage while recording: MDR-M1ST (rank S), MDR-M1 (rank S), K371 (rank S). Top score (5 points) for “suitability for recording (sound leakage)”.

Tier list by rank

Ranks are based on the manufacturer's official features and specifications, not on sound quality. Within a row, products are ordered by score. The basis is explained in How we rate specifications.

Tier table by criterion

Products with the same overall rank can have different strengths. Click a column heading to sort by the rank on that criterion, and use it when you choose by the feature you want.

ProductOverallEase of drivingImpedance (the lower it is, the easier to reach a good volume from a small amplifier)Low-frequency rangeLower limit of the frequency responseHigh-frequency rangeUpper limit of the frequency responseLightnessWeight (cable excluded)Suitability for recording (sound leakage)Closed-back or open-back (closed-back keeps sound out of the microphone while you sing)
SonyMDR-M1STS4.8S24 ΩS5 HzS80,000 HzA215 gS1
SonyMDR-M1S4.4B50 ΩS5 HzS80,000 HzA216 gS1
AKGK371S4.4S32 ΩS5 HzS40,000 HzC255 gS1
Audio-TechnicaATH-M70xS4.2A35 ΩS5 HzS40,000 HzC280 gS1
SonyMDR-CD900STS4.2C63 ΩS5 HzA30,000 HzS200 gS1
beyerdynamicDT 770 PRO 80ΩA4.0C80 ΩS5 HzA35,000 Hz—S1
ShureSRH840AA3.8A40 ΩS5 HzB25,000 HzC273 gS1
beyerdynamicDT 770 PRO XA3.8B48 ΩS5 HzS40,000 HzC305 gS1
Audio-TechnicaATH-M20xA3.4B47 ΩB15 HzC20,000 HzS190 gS1
Audio-TechnicaATH-M30xA3.4B47 ΩB15 HzC22,000 HzA220 gS1
Audio-TechnicaATH-M40xA3.4A35 ΩB15 HzC24,000 HzB240 gS1
Audio-TechnicaATH-M50xA3.4A38 ΩB15 HzB28,000 HzC285 gS1
Audio-TechnicaATH-R70xB3.2C470 ΩS5 HzS40,000 HzA210 gC0
YamahaHPH-MT8B3.2A37 ΩB15 HzB28,000 HzC350 gS1
SennheiserHD 280 PROB3.2C64 ΩA8 HzB25,000 HzC285 gS1
SennheiserHD 25B3.2C70 ΩC16 HzC22,000 HzS140 gS1
ShureSRH440AB3.2A40 ΩB10 HzC22,000 HzC268 gS1
beyerdynamicDT 990 PRO 80ΩB3.0C80 ΩS5 HzA35,000 HzB250 gC0
YamahaHPH-MT5B2.8B51 ΩC20 HzC20,000 HzB245 gS1
SonyMDR-7506B2.8C63 ΩB10 HzC20,000 HzB230 gS1

Click a column heading to sort by that criterion (click again to reverse). Each cell shows the score (1 to 5) on that criterion as 5 = S, 4 = A, 3 = B, 2 or lower = C. A dash means the criterion is not scored. This is a rating of the manufacturer's official features and specifications, not of sound quality. See How we rate specifications.

S4.2 or higherA3.4 or higherB2.6 or higherCbelow 2.6How we score

How to choose monitor headphones

Closed-back and open-back headphones compared
Figure: SoundBounty

Closed-back or open-back?

When you record vocals, closed-back headphones, whose sound is less likely to get into the microphone, are the basic choice. Open-back headphones have a naturally spacious sound and suit mixing, but they leak sound easily and are not suited to recording.

Ease of driving

The less power needed for the same volume, the more easily you get enough volume even from an audio interface or smartphone. With high-impedance models, the volume may run short depending on what you connect them to.

Comfort over long sessions

Recording and mixing tend to run long, so weight matters too. The lighter the model, the less tiring it is.

Cable and parts

With a model whose cable detaches, you can replace it if it breaks. If you will use them for a long time, it is also reassuring to check whether the ear pads can be replaced.

A word on each product

K371 (rank S)

AKG’s K371 is a pair of closed-back monitor headphones.

MDR-CD900ST (rank S)

Sony’s MDR-CD900ST is a pair of closed-back monitor headphones.

SRH840A (rank A)

Shure’s SRH840A is a pair of closed-back monitor headphones.

DT 770 PRO X (rank A)

beyerdynamic’s DT 770 PRO X is a pair of closed-back monitor headphones.

ATH-R70x (rank B)

Audio-Technica’s ATH-R70x is a pair of open-back monitor headphones.

HD 280 PRO (rank B)

Sennheiser’s HD 280 PRO is a pair of closed-back monitor headphones.

HD 25 (rank B)

Sennheiser’s HD 25 is a pair of closed-back monitor headphones.

SRH440A (rank B)

Shure’s SRH440A is a pair of closed-back monitor headphones.

MDR-7506 (rank B)

Sony’s MDR-7506 is a pair of closed-back monitor headphones.

Frequently asked questions

Q. Are listening headphones not good enough?

You can use them, but many listening headphones emphasize the lows and so on to sound pleasant, which makes it harder to judge the balance accurately. For recording and mixing, monitor headphones are recommended.

Q. Can I work with wireless (Bluetooth) headphones?

Bluetooth delays the sound, so it does not suit listening while recording. Use wired headphones for production.

Q. Is it fine to mix on headphones alone?

You can mix on headphones alone. Comparing on speakers, other earphones and a smartphone too makes it easier to check the balance in other environments.

How we score

How we score (Monitor headphones)
CriterionBasis5 pt4 pt3 pt2 pt1 pt
Ease of drivingImpedance (the lower it is, the easier to reach a good volume from a small amplifier)≤32≤40≤55≤100>100
Low-frequency rangeLower limit of the frequency response≤5≤8≤15≤20>20
High-frequency rangeUpper limit of the frequency response≥40000≥30000≥25000≥22000<22000
LightnessWeight (cable excluded)≤200≤220≤250≤290>290
Suitability for recording (sound leakage)Closed-back or open-back (closed-back keeps sound out of the microphone while you sing)Closed-back———Open-back

Scored only on the body specifications published by the manufacturer. Price and accessories are not part of the score. Ease of driving is compared by impedance (Ω), which every manufacturer publishes. The lower the number, the easier it is to reach a good volume from the headphone jack of an audio interface or a smartphone, so a headphone amplifier is less likely to be needed (sensitivity is shown in the table for reference). "Suitability for recording" scores closed-back headphones higher because the sound is less likely to leak into the microphone while you sing. If you choose open-back headphones for mixing, you can ignore this item.

The thinking behind scores and ranks is summarized in How we rate specifications. We add products in order.

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