TASCAM’s US-2x2HR is a USB audio interface with 2 inputs and 2 outputs.
An audio interface is the equipment that brings the sound of microphones and instruments into the computer and sends the computer’s sound out to headphones and speakers.
In this article we rate it on 5 criteria using only the specifications the manufacturer publishes, and show how it ranks among the 23 audio interfaces we compare.
Disclosure: This site takes part in affiliate programs. Specifications are as of the date we checked them and can change.
Score 3.6 / 5 (average of the 23 models compared: 3.4)
- Specs last checked
- 2026/10/19
- Inputs
- 2ch
- Hi-Z inputs
- 2
- Loopback
- ●
- EIN
- -128dBu
- Price (store, date)
- Not disclosed

Figure: SoundBounty
Summary
Among the 23 audio interfaces, US-2x2HR is rank A. The ranks run S, A, B and C, and A is second from the top. Averaging the scores for each criterion (out of 5) gives 3.6.
Strengths
- Ease of streaming (loopback: yes, 5 points): You can stream the computer’s sound and your microphone together.
- Ease of recording guitar and other instruments (2 Hi-Z inputs, 4 points): You can plug in a guitar or bass directly and record.
Who it suits: judging from the specifications, it suits people who want to stream the computer’s sound (BGM and game sound) together with a microphone; people who want to plug in a guitar or bass directly.
Main features of US-2x2HR
TASCAM’s own Ultra HDDA microphone preamps
It has two microphone preamps that the manufacturer describes as highly transparent and ultra low noise. In the specifications, the EIN of the microphone amp is -128 dBu or lower and the gain range is 56 dB.
Loopback and MIDI in and out
It has loopback, which sends the computer’s sound back into streaming software, and the official page says it works with OBS. It also has MIDI in and out, so you can connect keyboards and similar gear.
192 kHz support and zero-latency monitoring
It records at up to 192 kHz and 24-bit. Direct monitoring, which splits the signal before it goes to the computer, lets you monitor with no delay.
Where it is useful
- Recording vocals and guitar at the same time
- Combining the computer’s sound and your voice for streaming or podcasts
- Making music with a MIDI keyboard as well
Rating by criterion
Microphone input quality: 3 / 5
How quietly and how loudly enough it can record a microphone (low noise, gain range and so on).
US-2x2HR: EIN -128dBu / Gain 56dB. That is a standard rating among the products we compared.
Ease of streaming: 5 / 5
Whether it has a function (loopback) that lets you stream the computer’s sound (BGM and game sound) together with a microphone voice.
US-2x2HR: loopback: yes. That is a high rating among the products we compared. You can stream the computer’s sound and your microphone together.
Ease of recording guitar and other instruments: 4 / 5
The number of inputs (Hi-Z) that take a guitar or bass directly.
US-2x2HR: 2 Hi-Z inputs. That is a high rating among the products we compared. You can plug in a guitar or bass directly and record.
Number of inputs and outputs: 3 / 5
The number of inputs for microphones and instruments, and outputs for speakers and the like.
US-2x2HR: 4 analog inputs and outputs. That is a standard rating among the products we compared.
Features for production: 3 / 5
Features for production such as MIDI ports, built-in effect processing (DSP) and digital I/O.
US-2x2HR: 1 of 3. That is a standard rating among the products we compared.
The gray marks in the figure below (the dotted line on the pentagon) show the average of the 23 products we compared. Price is not part of the score.
How we score (Audio interfaces)
| Criterion | Basis | 5 pt | 4 pt | 3 pt | 2 pt | 1 pt |
|---|---|---|---|---|---|---|
| Microphone input quality | Quietness (EIN), gain range and dynamic range | Average 4.5 or more | 3.5 or more | 2.5 or more | 1.5 or more | Under 1.5 |
| Ease of streaming | Loopback (send the computer's sound together with the microphone for streaming or recording) | Yes | — | — | — | No |
| Ease of recording guitar and other instruments | Number of inputs that take a guitar or bass directly (Hi-Z) | 3 or more | 2 | 1 | — | None |
| Number of inputs and outputs | Analog inputs plus outputs (headphones excluded) | ≥8 | ≥6 | ≥4 | ≥3 | <3 |
| Features for production | Built-in DSP, MIDI ports and digital I/O | All 3 | 2 | 1 | — | None |
Scored only on the body specifications published by the manufacturer and the functions listed on the product page. Price and bundled software are not part of the score. "Microphone input quality" is the average of three scores: quietness (EIN: 5 points at -130 dBu or lower, 4 at -129, 3 at -128, 2 at -127), gain range (5 at 72 dB or more, 4 at 65, 3 at 57, 2 at 54) and dynamic range (5 at 118 dB or more, 4 at 116, 3 at 112, 2 at 108). It is scored when two or more numbers are published. "Ease of streaming" depends on whether the interface has loopback, which sends the BGM or game sound playing on the computer to the streaming software together with your voice.
US-2x2HR connection and getting started
| Connection | USB Type-C to the computer. It also supports iOS devices such as iPad (a dedicated AC adapter is needed) |
|---|---|
| Power | USB bus power when connected to a computer |
| In the box | USB cable (Type-A to Type-C), owner’s manual and more |
Checked on the manufacturer’s official pages on October 17, 2026.
Compared with other audio interfaces
Click a heading to sort. On a phone, the table scrolls sideways.
| Product | RankAvg. score | EINdBu | Max gaindB | Dynamic rangedB(A) | Inputsch | Hi-Z inputs | Outputsch | Loopback | DSP | MIDI | Digital I/O | Price (store, date) |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| FocusriteScarlett Solo 4th | B 3.0 | -127 | 57 | 113 | 2 | 1 | 2 | ● | — | — | — | Not disclosed |
| FocusriteScarlett 2i2 4th | B 3.2 | -127 | 69 | 116 | 2 | 2 | 2 | ● | — | — | — | Not disclosed |
| FocusriteScarlett 4i4 4th | A 4.0 | -127 | 69 | 116 | 4 | 2 | 4 | ● | — | ● | — | Not disclosed |
| Universal AudioVolt 1 | C 2.2 | -127 | 55 | 112 | 1 | 1 | 2 | — | — | ● | — | Not disclosed |
| Universal AudioVolt 2 | B 2.6 | -127 | 55 | 112 | 2 | 2 | 2 | — | — | ● | — | Not disclosed |
| ArturiaMiniFuse 1 | B 2.8 | -129 | 56 | 110 | 1 | 1 | 2 | ● | — | — | — | Not disclosed |
| ArturiaMiniFuse 2 | A 3.6 | -129 | 56 | 110 | 2 | 2 | 2 | ● | — | ● | — | Not disclosed |
| ArturiaMiniFuse 4 | S 4.2 | -129 | 56 | 110 | 4 | 4 | 4 | ● | — | ● | — | Not disclosed |
| PreSonusStudio 24c | C 2.4 | -126 | 50 | 106 | 2 | 2 | 2 | — | — | ● | — | Not disclosed |
| RMEBabyface Pro FS | S 4.8 | Not disclosed | 76 | 117 | 4 | 2 | 4 | ● | ● | ● | ● | Not disclosed |
| MOTUM2 | A 3.8 | -129 | Not disclosed | 115 | 2 | 2 | 2 | ● | — | ● | — | Not disclosed |
| MOTUM4 | S 4.2 | -129 | Not disclosed | 115 | 4 | 2 | 4 | ● | — | ● | — | Not disclosed |
| AudientiD4 MKII | A 3.6 | -129 | 58 | Not disclosed | 2 | 1 | 2 | ● | ● | — | — | Not disclosed |
| AudientiD14 MKII | A 4.0 | -129 | 58 | Not disclosed | 2 | 1 | 4 | ● | ● | — | ● | Not disclosed |
| Solid State LogicSSL 2 MKII | A 3.4 | -130.5 | 64 | 116.5 | 2 | 2 | 2 | ● | — | — | — | Not disclosed |
| Solid State LogicSSL 2+ MKII | A 4.0 | -130.5 | 64 | 116.5 | 2 | 2 | 4 | ● | — | ● | — | Not disclosed |
| Universal AudioVolt 176 | C 2.2 | -127 | 55 | 112 | 1 | 1 | 2 | — | — | ● | — | Not disclosed |
| Universal AudioVolt 276 | B 2.6 | -127 | 55 | 112 | 2 | 2 | 2 | — | — | ● | — | Not disclosed |
| AudientEVO 4 | B 3.2 | -128 | 58 | 113 | 2 | 2 | 2 | ● | — | — | — | Not disclosed |
| TASCAMUS-2x2HR | A 3.6 | -128 | 56 | Not disclosed | 2 | 2 | 2 | ● | — | ● | — | Not disclosed |
| FocusriteClarett+ 2Pre | A 3.4 | -129 | 57 | 118 | 2 | 2 | 4 | — | — | ● | ● | Not disclosed |
| RolandRubix22 | C 2.5 | Not disclosed | Not disclosed | 104 | 2 | 1 | 2 | — | — | ● | — | Not disclosed |
| MOTUM6 | S 4.4 | -129 | Not disclosed | 115 | 6 | 4 | 4 | ● | — | ● | — | Not disclosed |
Specifications are the manufacturer's published values for the microphone input (checked October 19, 2026). The RME Babyface Pro FS does not publish EIN, the Audient iD4 MKII and iD14 MKII do not publish dynamic range, and the MOTU M2 and M4 do not publish the gain range, so "Microphone input quality" for them is scored on the remaining numbers. The number of Hi-Z inputs counts inputs that take a guitar or bass directly (including combo jacks shared with microphone and line). The Babyface Pro FS dynamic range is the microphone-input signal-to-noise ratio in the manual (117 dBA).
Before you buy
- It has loopback. When streaming, you can send the computer’s sound and your microphone voice together.
- It has 2 inputs in total for microphones and instruments. Check that the number you want to record at the same time does not exceed the number of inputs.
- It has 2 Hi-Z inputs that take a guitar or bass directly. When you record without effects pedals or an amplifier, you plug into a Hi-Z input.
- It has MIDI ports. You can connect keyboards and gear that have MIDI jacks directly.
Read next
- Clarett+ 2Pre: features and rating (rank A)
- Babyface Pro FS: features and rating (rank S)
- M6: features and rating (rank S)
- M4: features and rating (rank S)


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