Audient’s “iD4 MKII” and “iD14 MKII” are USB audio interfaces of the same iD series; the iD14 MKII is the upper version with more microphone inputs and outputs. In this article we compare the 2 models using only the specifications the manufacturer publishes, and rank them on the same criteria as the other 18 audio interfaces on this site.
Disclosure: This site takes part in affiliate programs. Specifications are as of the date we checked them and can change.
In short: which one to choose
- iD4 MKII (rank A): a USB audio interface with 2 inputs and 2 outputs. Strong on microphone input quality and ease of streaming.
- iD14 MKII (rank A): a USB audio interface with 2 inputs and 4 outputs. Strong on microphone input quality, ease of streaming, number of inputs and outputs and features for production.
The highest score among the 2 models is iD14 MKII (rank A, average 4.0). But the model you need depends on how many things you record at once and which features you use. You do not need to choose a higher model for inputs, outputs or features you will not use.
Main features of the Audient iD MKII series
Microphone preamps with the same design as Audient’s consoles
Both use analog microphone preamps with the same design as Audient’s large consoles (one on the iD4, two on the iD14). The noise (EIN) is -129 dB and the gain range is 58 dB.
A JFET guitar input that imitates the front end of a tube amp
The guitar and bass input (one) is a JFET circuit that imitates the front end of a tube amp, and is said to make a warm foundation when you use an amp simulator.
Two headphone outputs, and the iD14’s expandability
Both can connect two pairs of headphones, with a standard jack and a mini jack. The iD14 has four line outputs, so it can switch between two pairs of speakers, and ADAT / S/PDIF inputs that can add up to 8 inputs.
Loopback and a DSP mixer
They have loopback, which lets you record or stream the computer’s sound and your voice together. The specification page lists the latency of the built-in DSP mixer (0.31 ms at 96 kHz), which allows low-latency monitoring.
Where it is useful
- Recording singing or narration with little noise
- Recording guitar or bass through an amp simulator
- Combining the computer sound and your voice for streaming or game commentary
Differences in specifications (comparison table)
| Model | Rank | Microphone input quality | Ease of streaming | Ease of recording guitar and other instruments | Number of inputs and outputs | Features for production |
|---|---|---|---|---|---|---|
| iD4 MKII | A (3.6) | EIN -129dBu / Gain 58dB (4 points) | loopback: yes (5 points) | 1 Hi-Z input (3 points) | 4 analog inputs and outputs (3 points) | 1 of 3 (3 points) |
| iD14 MKII | A (4.0) | EIN -129dBu / Gain 58dB (4 points) | loopback: yes (5 points) | 1 Hi-Z input (3 points) | 6 analog inputs and outputs (4 points) | 2 of 3 (4 points) |
How we score (Audio interfaces)
| Criterion | Basis | 5 pt | 4 pt | 3 pt | 2 pt | 1 pt |
|---|---|---|---|---|---|---|
| Microphone input quality | Quietness (EIN), gain range and dynamic range | Average 4.5 or more | 3.5 or more | 2.5 or more | 1.5 or more | Under 1.5 |
| Ease of streaming | Loopback (send the computer's sound together with the microphone for streaming or recording) | Yes | — | — | — | No |
| Ease of recording guitar and other instruments | Number of inputs that take a guitar or bass directly (Hi-Z) | 3 or more | 2 | 1 | — | None |
| Number of inputs and outputs | Analog inputs plus outputs (headphones excluded) | ≥8 | ≥6 | ≥4 | ≥3 | <3 |
| Features for production | Built-in DSP, MIDI ports and digital I/O | All 3 | 2 | 1 | — | None |
Scored only on the body specifications published by the manufacturer and the functions listed on the product page. Price and bundled software are not part of the score. "Microphone input quality" is the average of three scores: quietness (EIN: 5 points at -130 dBu or lower, 4 at -129, 3 at -128, 2 at -127), gain range (5 at 72 dB or more, 4 at 65, 3 at 57, 2 at 54) and dynamic range (5 at 118 dB or more, 4 at 116, 3 at 112, 2 at 108). It is scored when two or more numbers are published. "Ease of streaming" depends on whether the interface has loopback, which sends the BGM or game sound playing on the computer to the streaming software together with your voice.
Rating of each model
iD4 MKII
Score 3.6 / 5 (average of the 23 models compared: 3.4)
- Specs last checked
- 2026/10/19
- Inputs
- 2ch
- Hi-Z inputs
- 1
- Loopback
- ●
- EIN
- -129dBu
- Price (store, date)
- Not disclosed
- It has loopback. When streaming, you can send the computer’s sound and your microphone voice together.
- It has 2 inputs in total for microphones and instruments. Check that the number you want to record at the same time does not exceed the number of inputs.
- It has 1 Hi-Z input that take a guitar or bass directly. When you record without effects pedals or an amplifier, you plug into a Hi-Z input.
iD14 MKII
Score 4.0 / 5 (average of the 23 models compared: 3.4)
- Specs last checked
- 2026/10/19
- Inputs
- 2ch
- Hi-Z inputs
- 1
- Loopback
- ●
- EIN
- -129dBu
- Price (store, date)
- Not disclosed
- It has loopback. When streaming, you can send the computer’s sound and your microphone voice together.
- It has 2 inputs in total for microphones and instruments. Check that the number you want to record at the same time does not exceed the number of inputs.
- It has 1 Hi-Z input that take a guitar or bass directly. When you record without effects pedals or an amplifier, you plug into a Hi-Z input.
Compared with other audio interfaces
Click a heading to sort. On a phone, the table scrolls sideways.
Audient iD MKII series: connection and getting started
| Connection | USB-C to a computer (the iD4 also works with iOS) |
|---|---|
| Power | Runs on USB power (needs a USB 3.0 or higher port, 0.9 to 1.5 A) |
| Other | Included software: ARC (Audient’s free collection of software and plug-ins). The iD14 supports 24-bit/96 kHz, Mac and Windows |
Checked on the manufacturer’s official pages on September 27, 2026.
| Product | RankAvg. score | EINdBu | Max gaindB | Dynamic rangedB(A) | Inputsch | Hi-Z inputs | Outputsch | Loopback | DSP | MIDI | Digital I/O | Price (store, date) |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| FocusriteScarlett Solo 4th | B 3.0 | -127 | 57 | 113 | 2 | 1 | 2 | ● | — | — | — | Not disclosed |
| FocusriteScarlett 2i2 4th | B 3.2 | -127 | 69 | 116 | 2 | 2 | 2 | ● | — | — | — | Not disclosed |
| FocusriteScarlett 4i4 4th | A 4.0 | -127 | 69 | 116 | 4 | 2 | 4 | ● | — | ● | — | Not disclosed |
| Universal AudioVolt 1 | C 2.2 | -127 | 55 | 112 | 1 | 1 | 2 | — | — | ● | — | Not disclosed |
| Universal AudioVolt 2 | B 2.6 | -127 | 55 | 112 | 2 | 2 | 2 | — | — | ● | — | Not disclosed |
| ArturiaMiniFuse 1 | B 2.8 | -129 | 56 | 110 | 1 | 1 | 2 | ● | — | — | — | Not disclosed |
| ArturiaMiniFuse 2 | A 3.6 | -129 | 56 | 110 | 2 | 2 | 2 | ● | — | ● | — | Not disclosed |
| ArturiaMiniFuse 4 | S 4.2 | -129 | 56 | 110 | 4 | 4 | 4 | ● | — | ● | — | Not disclosed |
| PreSonusStudio 24c | C 2.4 | -126 | 50 | 106 | 2 | 2 | 2 | — | — | ● | — | Not disclosed |
| RMEBabyface Pro FS | S 4.8 | Not disclosed | 76 | 117 | 4 | 2 | 4 | ● | ● | ● | ● | Not disclosed |
| MOTUM2 | A 3.8 | -129 | Not disclosed | 115 | 2 | 2 | 2 | ● | — | ● | — | Not disclosed |
| MOTUM4 | S 4.2 | -129 | Not disclosed | 115 | 4 | 2 | 4 | ● | — | ● | — | Not disclosed |
| AudientiD4 MKII | A 3.6 | -129 | 58 | Not disclosed | 2 | 1 | 2 | ● | ● | — | — | Not disclosed |
| AudientiD14 MKII | A 4.0 | -129 | 58 | Not disclosed | 2 | 1 | 4 | ● | ● | — | ● | Not disclosed |
| Solid State LogicSSL 2 MKII | A 3.4 | -130.5 | 64 | 116.5 | 2 | 2 | 2 | ● | — | — | — | Not disclosed |
| Solid State LogicSSL 2+ MKII | A 4.0 | -130.5 | 64 | 116.5 | 2 | 2 | 4 | ● | — | ● | — | Not disclosed |
| Universal AudioVolt 176 | C 2.2 | -127 | 55 | 112 | 1 | 1 | 2 | — | — | ● | — | Not disclosed |
| Universal AudioVolt 276 | B 2.6 | -127 | 55 | 112 | 2 | 2 | 2 | — | — | ● | — | Not disclosed |
| AudientEVO 4 | B 3.2 | -128 | 58 | 113 | 2 | 2 | 2 | ● | — | — | — | Not disclosed |
| TASCAMUS-2x2HR | A 3.6 | -128 | 56 | Not disclosed | 2 | 2 | 2 | ● | — | ● | — | Not disclosed |
| FocusriteClarett+ 2Pre | A 3.4 | -129 | 57 | 118 | 2 | 2 | 4 | — | — | ● | ● | Not disclosed |
| RolandRubix22 | C 2.5 | Not disclosed | Not disclosed | 104 | 2 | 1 | 2 | — | — | ● | — | Not disclosed |
| MOTUM6 | S 4.4 | -129 | Not disclosed | 115 | 6 | 4 | 4 | ● | — | ● | — | Not disclosed |
Specifications are the manufacturer's published values for the microphone input (checked October 19, 2026). The RME Babyface Pro FS does not publish EIN, the Audient iD4 MKII and iD14 MKII do not publish dynamic range, and the MOTU M2 and M4 do not publish the gain range, so "Microphone input quality" for them is scored on the remaining numbers. The number of Hi-Z inputs counts inputs that take a guitar or bass directly (including combo jacks shared with microphone and line). The Babyface Pro FS dynamic range is the microphone-input signal-to-noise ratio in the manual (117 dBA).


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