Tokyo Dawn Records’ SlickEQ is a free EQ with three bands plus a high-pass filter, a choice of four EQ models and five output-stage textures. It is built with ease of use and warmth of sound in mind.
An EQ (equalizer) adjusts the amount of low and high frequencies in a sound. You use it to clear up a muddy voice or reduce sounds that hurt the ears.
In this article we compare SlickEQ with 15 EQ plug-ins and rate how well it serves its purpose on three criteria. The basis is official manufacturer information.
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Score 2.3 / 5 (average of the 15 products compared: 3.1)
- Price
- Free
- Specs last checked
- 2026/09/25
- Handling problem bands
- 3 bands
- Speed
- Auto gain
- Stereo processing
- M/S
- Price (store, date)
- Not listed

Summary
Among the 15 EQ plug-ins, SlickEQ is rank C. The ranks run S, A, B and C, and C is the lowest. Averaging the scores for each criterion (out of 5, with the one criterion that matters most for the purpose counted double) gives 2.3.
Things to keep in mind
- Handling problem bands (2 points): it has no function that reduces problem sounds automatically; it centers on basic tone adjustment.
- Speed (2 points): you have to decide the settings by ear.
Who it suits: people who want a quick EQ for free, with some analog-style coloration added.
Main features of SlickEQ
Four EQ models with different characters
SlickEQ is a simple EQ in which you only move the low, mid and high bands, but behind it sit four EQ models: “American”, “British”, “German” and “Soviet”. Switching models changes the shape and behavior of the curve even with the knobs in the same position, the manufacturer explains. You pick the model you like first and then move the knobs, so even people who are not used to EQ can easily hear the difference.
Five textures to choose from in the output stage
The output stage after the EQ has five options, “Linear”, “Silky”, “Mellow”, “Deep” and “Toasted”, so you can choose your own saturation (processing that softly distorts the sound to add warmth). The manufacturer explains that it aims not at obvious distortion but at the faint flavoring found in fine gear. It seems suited to uses where you want to change the character of the sound a little while applying the EQ.
Auto gain to help you compare
When you boost a sound with an EQ, it is easy to be fooled into thinking the sound got better when it only got louder. SlickEQ’s auto gain automatically compensates for the change in perceived loudness. It makes it easier to compare before and after at about the same volume, which helps you avoid overdoing it.
EQ only the sum or only the difference of the stereo signal
There is a mode that applies the EQ only to the components near the center (the sum) or only to the components spreading left and right (the difference). For example, you could lift only the highs of the spreading components a little and leave the center vocal as it is. The inside works at 64 bits, and the manufacturer explains that it is built so that the highs are less likely to distort or fold back.
The upgraded version, “SlickEQ GE”
The paid Gentleman’s Edition (GE) adds a real-time analyzer, extra filter modes, a choice of colors and a finely adjustable Tilt filter. You can try the free version first to see how it feels, and consider the upgraded version if it becomes insufficient.
Where it is useful
- Lightly adding highs to a cover vocal while also adding a warm coloration
- Quickly shaping a guitar or piano track with three bands
- Adjusting only the spread (the difference component) of the whole mix a little
Rating by criterion
Handling problem bands: 2 / 5
We check whether you can target and fix only the sounds that bother you, such as boominess or harshness.
It is a static EQ with three bands (low, mid and high semi-parametric) and a high-pass filter. It is not a dynamic EQ (an EQ that works only when the sound gets loud).
If “handling problem bands” matters most to you, Pro-Q 4 (5 points) is a better fit.
Speed: 2 / 5
We check whether it has features that get you to a good setting quickly, such as automatic settings and a function that matches a reference sound.
It has auto gain, which automatically evens out the loudness change caused by the EQ.
If “speed” matters most to you, smart:EQ 4 (5 points) is a better fit.
Stereo processing: 3 / 5
We check whether you can adjust the center sound (such as the vocal) and the sound spread to the sides separately.
It has a mode that processes only the stereo “sum” (near the center) or only the “difference” (the spread).
How we score (EQ plug-ins)
| Criterion | Basis | 5 pt | 4 pt | 3 pt | 2 pt | 1 pt |
|---|---|---|---|---|---|---|
| Handling problem bands | The power to target and reduce boomy or harsh sounds | Dynamic EQ, plus processing that reacts only to specific frequencies inside a band | Dynamic EQ (works only when the sound gets loud), or separate processing of the attack and the sustained sound | A static EQ with many bands, or with a choice of processing quality such as linear phase | A static EQ with few bands | — |
| Speed | Features that help you decide settings quickly | AI balances the sound automatically and can also reduce overlap between tracks | Automatic EQ settings or EQ match, plus other aids | One aid, such as EQ match | Analyzer (a visual display of the sound) only | No aids listed |
| Stereo processing | Whether the center and the sides can be processed separately | Supports M/S, separate left/right and surround | Supports M/S plus either separate left/right or surround | M/S only | — | Not mentioned on the official page |
Each criterion is scored from 1 to 5 on how well the product serves one goal: balancing the sound of vocals and backing tracks in a mix. Scores follow the conditions in the table above, and the rank is based on an average in which "Handling problem bands" counts double. The basis is official manufacturer information. Sound quality and CPU load are not measured, so they are not scored; reviews from trade magazines are introduced in the articles for reference. Price is not part of the score. Features that cannot be confirmed from the manufacturer's or a retailer's description are scored as if absent. The "OBS (streaming)" column in the table shows whether the official page lists the VST2 format that the streaming software OBS Studio can use (○). OBS does not support the VST3 format. It is not part of the score.
SlickEQ system requirements and getting started
| Operating system | Windows 7 or later / Mac (OS X 10.9 or later). OpenGL support is required |
|---|---|
| Plug-in formats | Windows: VST2, VST3, AAX / Mac: VST2, VST3, AU, AAX |
| Free version | Free (a paid version with an analyzer display and more, “SlickEQ GE”, also exists) |
| OBS (streaming) | Works as it is (VST2 is listed) |
Checked on the manufacturer’s official pages on October 17, 2026. How to use plug-ins in the OBS streaming software is explained in How to use VST3 plug-ins in OBS.
Compared with other EQ plug-ins
Click a heading to sort. On a phone, the table scrolls sideways.
| Product | RankAvg. score | Handling problem bands | Speed | Stereo processing | Free | OBS (streaming) | Price (store, date) |
|---|---|---|---|---|---|---|---|
| FabFilterPro-Q 4 | S 4.5 | Dynamic + spectral | EQ match + aids | M/S + surround | — | ○ | $199 [PB, checked Oct 26] |
| soniblesmart:EQ 4 | A 4.0 | Dynamic | AI auto-correction | M/S | — | ○ | $129 [PB, checked Oct 26] |
| MeldaProductionMEqualizer | B 2.8 | 6 bands | Analyzer | M/S, L/R, surround | Free | ○ | Not listed |
| MeldaProductionMAutoEqualizer | A 3.8 | Linear phase | Auto EQ + match | M/S, L/R, surround | — | ○ | $165 [PB, checked Oct 26] |
| EventideSplitEQ | A 3.5 | Attack/sustain split | Analyzer | L/R + M/S | — | ○ | $149 [PB, checked Oct 26] |
| Slate DigitalInfinity EQ 2 | A 3.5 | Dynamic | Analyzer | M/S + L/R | — | ○ | $149 [PB, checked Oct 26] |
| Tokyo Dawn RecordsTDR Nova | A 3.5 | Dynamic | Analyzer | M/S + L/R | Free | ○ | Not listed |
| Universal AudioPultec Passive EQ Collection | C 1.5 | Few bands | Not listed | Not listed | — | × (VST3 only) | $39 (sale; regular $149) [PB, checked Oct 26] |
| WavesF6 | B 3.0 | Dynamic | Not listed | M/S | — | △ (via Waves StudioRack) | $39.99 (sale; regular $149) [PB, checked Oct 26] |
| Plugin Alliancebx_digital V3 | A 3.8 | Dynamic | Auto-Solo | M/S + L/R | — | ○ | Not listed |
| Tokyo Dawn RecordsSlickEQ | C 2.3 | 3 bands | Auto gain | M/S | Free | ○ | Not listed |
| DMG AudioEQuilibrium | A 3.5 | 32 bands + linear phase | Analyzer + Autolisten | M/S, L/R, surround | — | ○ | Not listed |
| SoundtheoryGullfoss | B 2.8 | Auto peak/valley balancing | Auto EQ + sidechain | Not listed | — | ○ | $199 [Official, checked Oct 26] |
| SonnoxOxford EQ | C 1.5 | 5 bands | Not listed | Not listed | — | × (VST3 only) | $279.99 [Official, checked Oct 26] |
| SonnoxOxford Dynamic EQ | C 2.5 | Dynamic | Not listed | Not listed | — | × (VST3 only) | $279.99 [Official, checked Oct 26] |
Features checked on each manufacturer's official website on September 25, 2026. Check the store page behind the buy button for the price.
Read next
- Pultec Passive EQ Collection: features and rating (rank C)
- Oxford EQ: features and rating (rank C)
- Pro-Q 4: features and rating (rank S)
- smart:EQ 4: features and rating (rank A)


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